When the pandemic hit in 2020 and work slowed to a halt, I found myself with time on my hands — and a need to do something creative. That’s when I picked up DJing. It started as a passion project, just messing around with tracks and learning the basics. But after about a year, I felt a pull to go deeper, so I started producing music too. That felt like the natural next step.
Thankfully, there’s a ton of great content out there from top producers. YouTube, online courses — you name it. All you really need is a decent computer and software like Ableton, which is used by some of the best in the game, like Skrillex and Deadmau5.
Getting into the scene was exciting at first, but I quickly saw the challenges. The industry is packed — oversaturated with new DJs and producers, many of whom are happy to work for free just to get noticed. That makes it tough to build real momentum or make money, especially when most of the income in the industry actually comes from selling products to other artists, not fans.
Locally, things can be even trickier. There are only a few promoters running most of the big shows, and they tend to book their friends or those who are willing to shift their style to fit what’s expected. That’s never felt right to me. I want to stay true to my sound, even if it means fewer gigs. As an artist, the moment you start compromising your voice to fit someone else’s mould, you lose the edge that makes you different in the first place.
“More artists are taking things into their own hands, organizing their own shows, promoting events, and even bringing in talent from outside the country.”
But I’ve seen a shift happening — and I’m part of it. More artists are taking things into their own hands, organizing their own shows, promoting events, and even bringing in talent from outside the country. These events are fresher, more inclusive, and give space to voices that are often overlooked. That kind of energy is what keeps me going.
It’s been incredibly rewarding to connect with people who show up for the music, not just the hype. I’ve found purpose in creating spaces where authenticity and originality are the headline acts. That’s where the underground scene thrives — in basements, warehouses, and pop-up venues where creativity comes first and egos are left at the door.
If someone asked me for advice about getting into this industry, I’d say: don’t — unless you really love the music. It’s frustrating, and often unrewarding, especially at the start. But if you’re passionate about creating, and you’re in it for the art, not the applause, you might just find your place.
I may not have all the answers, and the path hasn’t always been smooth, but I’ve found something real here. Music gives me a purpose and a way to connect — and that’s more rewarding than any paycheck.
Nick’s No-Nonsense Tips for Aspiring DJs
- Don’t chase trends. Build a sound that’s yours — not what’s popular.
- Promote yourself. Don’t wait for permission. Start your own events or livestreams.
- Invest in learning. YouTube, online courses, and collaboration will fast-track your skills.
- Play the long game. Growth is slow, but if you stay consistent, people notice.
- Love the grind. If you’re not obsessed with music, this probably isn’t for you.
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